fruit and veg; and inside out

Each term the South Side Writers have a new theme. In Spring 2013 it’s Fruit & Veg. This is because

(i) there’s been a bit of a running joke about bananas in the group for a couple of years. I always eat one before the class starts. Some time ago member Olga Wojtas showed us her party piece, which involved turning a banana into the profile of a penguin by partly peeling it and taking one bite. Time seemed ripe, pun intended, to bring the subject to more conscious and literary attention.

(ii) Last term we did Borders, Boundaries and Edges and I felt it was time for something more concrete and less conceptual.

Before Christmas we discussed and wrote about different sorts of boundaries – geographical, political, personal – and literary, in the shape of stanzas and paragraphs. We looked at examples of visual art with clearly defined lines (Mondrian, for example), and with fuzzy ones (Whistler`), and some that combined both, such as a couple of my favourite paintings in the National Galleries Scotland collection: Cezanne’s  The Big Trees, and Klee’s Threatening Snowstorm.

Design
After Paul Klee

blueprint for rebuilding
out of the bruising

provisional etching
of the reconstruction of Dresden

prophetic minaret to a
cloud-capped ground zero

Valhalla in a new era
for post-conflagration gods

plans on the drawing board
prefigure each apocalypse

This poem first appeared in Words on Canvas (National Galleries of Scotland, 2009).

One week everyone brought in an object with an (accessible, usable) inside and outside. I asked a series of questions, to be answered first with respect to the object’s exterior, and then again about its interior, so that you ended up with two lists which could be used or combined in various ways as a writing prompt.

Fruit ( we haven’t really made it into veg yet) is proving to be a fascinating subject for a series of writing classes because of its range of usage, literal and metaphorical, throughout literary history from Virgil’s ‘The Salad’, through the various sorts of Christian-era symbolism, to an abundance of contemporary works. It too has insides and outsides, of course. We started the term  sniffing, feeling, peeling and tasting fruit and will end with a fruit & word salad. Each writer is now researching a different fruit and bringing in a textual  example of it. In response we’ve written about hybrids (nectarcot, anyone?), provenance and packaging, architectural pineapples  and still lifes, as well as addressing a species and defamiliarising the common-or-garden so that it becomes exotic. Oh, and a banana is a herb.

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